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Blackmagic Design
Newtek 23
  • Studio Goose Brings Outback Campaign to the Screen via Blackmagic Cloud

  • Studio Lennon Gets Off to a Fast Start with Quantum NVMe Storage

  • Studios 301 and Videocraft Fine Tune Avid Pro Tools at New Facility

  • Studios Use Cintel to Power Real-time Dailies & 4K Mastering

  • Substance Painter Updates Texturing Engine, Shaders and UX/UI

  • Subtitling Opens Revenue Opportunities for TV, OTT and Online Channels

  • Südwestrundfunk Renews Colour Correction Infrastructure on Baselight

  • Switzerland’s SRF Future-Proofs to Newest Avid MediaCentral, Media Composer

  • Sydney ACM SIGGRAPH Opens Masterclass/Job Fair 2017

  • Sydney Colourist Takes ‘Heartbreak High’ Back to School on DaVinci Resolve

  • SymplyFIRST Adapts Storage to On-Set, Post and Archive Workflows

  • SymplyPRO RAID Integrates Sharing, Performance and Redundancy

  • SymplyRAID Supports High-Availability Storage Workflows

  • SymplyWORKSPACE Production Storage Integrates axle ai 2020 MAM

  • TAG Upgrades Monitoring Visualisation to Reduce Complexity and Bandwidth

  • Talking the Talk - Hybride Meets the Aliens on ‘Arrival’

  • Tan Jones Joins Territory Studio as Executive Producer

  • Tashi Trieu Delivers on Post and Colour for ‘Avatar: The Way of Water’

  • Tata to Acquire The Switch in a Move toward Global Live Video Production

  • Tau Films and Ziva Dynamics on Building Creatures from the Inside Out

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