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• Brompton Processing to Power AIE Film School’s New Virtual Production LED Wall

• Brompton, Absen and STS Bring LED Processing for Virtual Production to Life

• Calrec Type R Mixing System Enhances IP-based Programming at Radio Botswana

• Canon Develops New Firmware and Applications for 4K Remote PTZ Cameras

• Canon EOS R8 System Camera Captures Full Frame Video Up to 4K 60p

• Canon’s New RF Hybrid Lenses for EOS R Expand Options for Video and Stills

• Canon’s Optical Unit for Box Lenses Delivers Broadcast Drama and Expression

• Carriageworks and Panasonic Display Projection Mapping at Sydney Festival

• Central Control Bridges Magewell IP Workflow Devices with Live Control Software

• Channel Four Works with Witbe to Automate QA Testing of Streaming App

• Chaos V-Ray 6 Benchmark Updates CPU/GPU Testing, Adds a New Test Scene

• Church Uses Blackmagic ATEM to Customise Global Live Streaming Workflows

• Cloud Playout – Conspiring to Limit Costs and Carbon Footprint

• Cloudbass Adopts Grass Valley for New IP Remote Production Vehicles

• Cloudbass IP OB Vehicles Support Live Remote Workflows on arkona and manifold

• Cobalt Digital Set to Exhibit a Full Line-up at ISE for the First Time

• Cobalt Digital UltraBlue IP-MV Multiviewer Turns the Focus on IP Operations

• Colour Grade in DaVinci Resolve Studio Tells a Civil War Story in The Damned

• CP Communications Brings TCS New York City Marathon up to Speed

• CP Communications Takes 2023 TCS New York City Marathon to the Cloud

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