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• ProSiebenSat.1 Deploys EVS Live Content Workflows for Production and Replays

• PSSI Increases Investments in Appear Video Transmission for Live Broadcast

• Putting Automated Workflows at the Centre of Agile Media Operations

• QTAKE Pro 2.2 Adds On-set Dolby Vision and Forensic Watermarking Workflows

• Quicklink Studio Connects 80 Countries During MTA’s Jalsa Salana UK Broadcast

• Qumulo Private Availability Launches its Cloud Native File System on AWS

• Quortex Manages Multi-CDN Systems with Standards-based Content Steering

• Qvest Integrates Avid MediaCentral at rt1.tv to Optimise Media Workflows

• Qwilt, Cisco and Turkcell Collaborate on Content Delivery from the Network Edge

• R&S PRISMON Consolidates Channel Playout and Master Control at France-tv

• R&S PRISMON Manages and Monitors IP and SDI Signals for 3Cat’s 24hr News

• Racing WA Delivers Scalable, Low-latency Race Coverage with GV AMPP and AWS

• RCN Colombia Deploys Zixi to Distribute Spanish-language Content to US Affiliates

• RE:Vision Effects Twixtor Frame-Rate Conversion Plug-ins Are Now Standalone

• RecodeXR Selects Brompton LED Processing for Full Virtual Production Services

• Record TV and CIS Group Work with evertz.io on Transition to Cloud Playout

• RED Digital Cinema Announces Acquisition by Nikon Corporation

• RED Digital Cinema's Cine-Broadcast Demos Include EVS XT-VIA at MPTS

• Rede Minas Adopts Pebble to Update Playout Infrastructure and Expand Output

• Remote Production, JPEG XS and Environmental Impacts of Live Sports Broadcasts

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