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• das element Upgrade Manages Asset Libraries for VFX Teams and Projects

• DaVinci Resolve 15 Packs Fusion with Editorial, Colour and Sound Post Tools

• DaVinci Resolve Studio Supports Remote Grading for Sundance Winner ‘Cusp’

• DCS Develops LDT-V2 Wireless Lens Encoder/Streamer for Virtual Production

• DeadDrop Labs Opens the Door to VFX Compute Power on AWS Cloud

• Deluxe VR Puts Imagination to Work in Interactive GE Store VR

• Digistor Joins Autodesk Services Marketplace

• Digital Domain Brings Down the Red Room for ‘Black Widow’

• Digital Domain Brings the Villains Back for ‘Spider-Man: No Way Home’

• Digital Domain Builds a Fortress for a Villain’s Heart in ‘Shang-Chi’

• Dimension and MRMC Take Volumetric Video into Orbit for Avenue 5

• Dimension Studio and AJA Capture Virtual Production Workflows

• Discovery Norway and Vizrt 3D Graphics Bring Live Sports to the Studio

• disguise Adopts ACES, DLSS, DirectX12 to Enhance Unreal Engine Integration

• disguise IP-VFC Cards Output Video-over-IP from disguise Hardware

• disguise r21 Enhances Live, Broadcast and Virtual Production Workflows

• disguise r22 Increases Scalability and Automation, Introduces disguise Cloud

• disguise vx 4+ Pushes Performance for Immersive, Interactive Content at Scale

• disguise xR Captures Emily Rowed in Bloom for her New Music Video

• DNEG Animation Builds a Perfect Pipeline for ‘Ron’s Gone Wrong’

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