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• Platinum IP3 Drives Live UHD Mobile Production at TVB and Cinevideo

• Pocket Cinema Camera 6K and ATEM Mini Pro Turn into a Crew in a Box

• Powering the Potential of Remote Production

• Preymaker Pushes Cloud-based VFX and Colour Workflows to the Edge

• Princeton Athletics Builds its Live Streaming Workflow on AJA

• PRLX Creative Works with AJA Workflows to Enhance Streaming Productions

• Quantum ActiveScale 6.0 Manages Unstructured Data with New Object Storage

• Quantum Develops StorNext Converged Architecture for Video

• Quantum Scalar Ransom Block Creates Physical Protection for Tape Storage

• Quantum Supports Broadcast and Online Gaelic Sport at Nemeton TV

• R&S CLIPSTER and PRISMON Upgrade to Dolby, IMF and IP Standards

• R&S VENICE Supports Ultra HD Signals in 12G and 2SI Workflows

• RaceTech Makes a Photo Finish with TSL TallyMan UI Automation

• Radio Stations Webcast Super Bowl to Facebook Live with Matrox

• Relying on Low Latency for Remote Broadcast Acquisition and Contribution

• Reviewing the MSI WS65 for Motion Capture and RTX Graphics

• Riedel Keeps Esports Production in Control at ESL One and PUBG Mobile

• Riedel Signal Transport and A/V Systems Bring Pan-Am Games to Fans

• Ritter Communications Virtualises Cable Access with Harmonic’s CableOS

• Rock in Rio Gets a 4K Immersive Remote Production with Lawo

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