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• FIFA Women’s World Cup Remote Production Leaps Ahead with Aspera

• FilmLight at NAB: Control and Consistency in Finishing and Delivery

• FilmLight Shows Baselight 5.0 for Avid and NUKE at IBC

• Films at 59 Centralises and Scales Up Storage on Pixit Media’s PixStor

• Finding the Sweet Spot for Virtualized Playout

• Flame Media Scales Up QC with Editshare's QUALES

• Foundry Updates 3D Software, Introduces Cloud Pipeline Service

• Foxtel Switches to Switch Media’s AdEase for OTT/VOD Services

• Framestore Brings Real-time Motion Data to Virtual Production

• FutureWorks Media Delivers Colour and Drama on Baselight

• Globo TV Expands Automation across Brazil with Pebble Beach Marina

• Grabyo and Singular Stream Live Graphics to Social for Pre-Match Show

• Grass Valley and Gearhouse Race to Australia’s First 4K UHD Live Broadcast

• Grass Valley iTX Flex Pushes Content Delivery to the Cloud

• Grupo La República Builds New Multiple Platform Newsroom on EditShare

• Harmonic & Mirantis Bring Cloud Video Processing to OpenStack

• Harmonic Targets QoE, Compression and Time-to-Market for Mobile OTT

• Henninger Upgrades File-Based Media Workflow to SAM Alchemist XF

• Hispanic OTT Launches on All Screens with VEMOX and Viaccess-Orca

• IBC 2019 Innovation Awards Announce Shortlist of Ten Finalists

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