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• Rose Hancock Joins Axis Studios as VFX Executive Producer

• Shutterstock Launches a Generative 3D API for 3D Scene Building with AI

• SIGGRAPH Asia 2023 – Looking Back at Sydney and Ahead to Tokyo

• SIGGRAPH Asia 2023 Celebrates a World of Animation in Sydney

• Student Filmmakers’ VES Award-Winning Film Visualises a Life in the City

• Survival, Disasters and Virtual Production on ‘No Way Up’

• Technicolor Group Appoints David Conley as New MPC President

• The Connected Quantum Workflow from File Data to Object Storage to Cloud

• The Imaginarium Studios Names Maeve Russell Head of Production

• The Mill and Kawasaki Wear Mullets to the Super Bowl

• Twinmotion 25.1 Brings New Realism and Control to 3D Environment Renders

• Union VFX Moves its CG Pipeline to USD Format

• Union VFX Opens First International VFX Facility in Montréal

• Unity’s New AI Features Reach Further Across the Game Development Cycle

• V-Ray 6 for Houdini Advances with Solaris, Volumetrics and Lighting Developments

• V-Ray 7 for Maya and Houdini Supports Gaussian Splats, Volumetric Shading

• Wētā FX Appoints New Chief Executive Officer Daniel Seah

• Wild Capture Joins Human & Digital Talent Registry Beta for Rights Management

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