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• Bending the Rules for ‘Tales from the Loop’

• Bento Box Entertainment to Partner with Princess Pictures in Australia

• Binyan Studios - Riviere

• Binyan Uses 3ds Max to Bring Drama and Storytelling to ArchViz Projects

• Blackmagic Upgrades DaVinci Resolve 17 for Colour, Editorial, Audio Post

• BlueBolt Promote Tracy McCreary to Managing Director

• Blur Studio Flexes Technical & Creative Muscle with New Talent

• Blur Studio, David Fincher and V-Ray Pull a Dark Story into the Light

• Boris FX Continuum 2020 Expands Looks and FX Workflows for Artists and Editors

• Boris FX Mocha Pro 2021 Adds Organic Warp Tracking and Alembic Exports

• Brainstorm and Partners to Improve TV Audience Interaction and Immersion

• Brown Bag Films Manages a Global Team of Animators on Pixit Media

• Buddha Jones Shows E3 Fans How to Play the Game

• Building Large-Scale Storyworlds at AEAF

• Cantina Creative Keeps ‘Loki’ on the Timeline for Marvel

• Carbon Welcomes Art Director Ian Bradley

• Cartoon Network Simplifies File-based Deliverables on Cinedeck

• CGI Studio REALTIME Celebrates 25 years in Content Creation

• Changing the Face of Motion Capture – Film School, Games and VFX

• Chaos Czech Builds Instant Caustics into Corona Renderer 4 for 3ds Max

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