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• pixitmedia ngenea2 Tackles Data Management for Distributed Workflows

• Pixomondo Explores the World of ‘Halo’ from Inside Out

• Pixomondo Speeds Virtual Production Iteration and Review on AWS Cloud

• Post Panic and KitBash3D Light Up ‘Free Fire’ Mobile Game Music Video

• Predicting Video Pathways in 2022 – Ncam, Digital Domain and Arcturus

• Preymaker Creates a Real-Time Animated Story without Boundaries

• Preymaker Expands Production Team

• Preymaker Expands West Coast Talent in VFX, CGI and Immersive Media

• Preymaker Welcomes Producers Clairellen Wallin and Mike Pullan 

• Preymaker Welcomes Senior Creative Rob Petrie to its Lineup

• Preymaker Welcomes Three New Hires to its Cloud-Native Studio

• Project Substance Alchemist Enters Beta, Source Goes into Orbit

• Psyop Pushes ‘Clash of Clans’ into Virtual Reality with Qube!

• Psyop Welcomes Director and Visual Artist Christian Bevilacqua

• Quantum Mixes Object Storage with Hyperscale Tape for Low-Cost Archiving

• Quantum Shows Animation & VFX Workflow Architecture at SIGGRAPH

• Qumulo and HPE GreenLake Scale the Post Environment at Origo Studios

• Qvisten Animation Keeps Afloat with Qube! and Microsoft Azure

• Ragdoll Dynamics 3.0 Develops Real-Time Character Physics for Animators

• RealFlow | Cinema 4D 2.0 Brings High Performance Fluids to 3D

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