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• iPi Soft Develops Real-Time Integration for iPi Mocap and Unreal Engine

• ITV Chooses Singular.live as First Cloud-Based Graphics Platform

• Jeff Capogreco Talks about Creatures, Lights and ILM

• Jellyfish Pictures Appoints Paul Baaske as Head of Technical Direction

• Jellyfish Pictures Positions for Growth With New Leadership Team

• Jellyfish Pictures Shifts to All-Virtual for VFX and Animation

• Jellyfish Pictures Virtualises Animation Hardware with all-IP Studio in Sheffield

• Jellyfish Pictures Virtualises VFX Studios on PC-over-IP Infrastructure

• Jellyfish Welcomes Senior VFX Artists Nicolas Hernandez and Kevin Hoppe

• Jerad Marantz Walks with Creatures from Dreams to Vision

• Johannes Sambs to Lead Framestore’s CG Team in London

• Join A Reeltime Bites Webinar from Digistor

• Join the Eizo Video Creation Roadshow

• Josh Van Zuylen Masters a Cyberpunk Universe from the Inside Out

• Karma XPU Gathers Speed as SideFX’s Hybrid GPU/CPU Renderer

• Katana 3.0 Shines a New Light with 3Delight Render Plug-in

• Katana 3.5 Brings USD Pipelines and Interactive Renders to Light

• Katana 3.6 Updates Material Editing, Ships with 3Delight NSI 2.0

• Katana 4.0 Focusses on Interactive Renders, Lighting UX and USD

• Katana 6.0 Improves Look Dev with Visibility into Materials and Scene Processing

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