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• DNEG Plans Global Expansion to Include New Toronto Studio

• DNEG Promotes VFX Veteran Lee Berger to Head LA Studio

• DNEG ReDefines VFX Services for Expanding International Markets

• DNEG Speeds through Time and a Wormhole for 'The Adam Project'

• DNEG Takes ‘Bullet Train’ Through Immersive Environments to an Explosive End

• DNEG to Help Develop ‘The Great Gatsby’ into an Animated Film

• DNEG to Launch xSTUDIO as Open Source Playback and Review Application

• DNEG Welcomes Andrew Gordon as Head of Character Animation

• DNEG Welcomes David Prescott to Lead Feature Animation in LA

• Doug Delaney Grades the Divergent looks of Love, Death + Robots, Volume 2

• E-on PlantCatalog Cultivates 3D Procedural Vegetation for 3D Artists

• e.d. films Delivers a Legendary Bear with a Unity to Maya Pipeline

• e.d. films Helps Artists Create 3D Scenes from Photoshop Files

• EA’s Game Capture Heroes Bring New Life to Game Art

• Elara Captures Clients’ Visions with Cospective’s Interactive Reviews

• Erika Burton Joins DNEG as Global Head of Studios

• Expanding the Digital World – Ryan Mamba and Serwah Attafuah

• Faceware and Cloud Imperium Games Develop Real Time Face-over-Internet

• Faceware Enhances Speed, Accuracy, Prices for Mocap Users Everywhere

• Faceware Studio Matches Animation to Live Performance in Real Time

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