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• NVIZ Expands Senior Team to Launch a New Phase of Development

• Nyriad and DigitalGlue Optimise Storage Resources, Increase Efficiency for Post

• OpenDrives Atlas 2.9 Helps Mid-Sized Studios Scale Storage and Workflows

• OpenDrives Develops Agile, Accessible Infrastructure for Media Workflows

• OpenDrives’ IBM Aspera Container Brings Media File Transfer Closer to Data

• Option Media Integrates Audio/Video Post Workflows with Resolve Studio

• ORION-CONVERT Pipeline and AJA ColorBox Simplify Colour for Live Productions

• Pacific Games Deploys LiveU's IP-Video Systems to Deliver Live Broadcasts

• Pebble’s Prima Platform Refines Playout, Workflows and Control for Broadcast

• Perifery and ERA Join on Cloud-Based Media Archive and Object Storage Services

• Perifery and pixitmedia Partner to Advance Media Workflow Automation

• Peter Barber Joins Atomos as Executive Director

• PHABRIX Develops Waveform Monitoring for Qx and QxL Rasterizers

• Picture Shop Names Rachel Faith Hanson as Executive Producer of VFX

• Picture Shop’s Mark Kueper Uses DaVinci Resolve Studio to Capture Billy the Kid

• Pitch Black Appoints New Vice President of Operations

• Pomfort Upgrades Livegrade with Remote 3D LUT Control for Virtual Production

• Preymaker Opens Cape Town Studio, Launches Recruitment and Scholarship

• Preymaker Welcomes Colourist Mark Sanna to its Creative Team

• Preymaker Welcomes Producers Clairellen Wallin and Mike Pullan 

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