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• Pixvana SPIN Studio Integrates Cloud-Based VR Creation and Delivery

• Producing VR-Native Stories to Drive Today's Immersive Media

• SCRATCH / SCRATCH VR Suite 8.6 Tackle Stitching and Expand HDR Tools

• SIGGRAPH 2016 Previews New Technical Papers

• SIGGRAPH VR Village Shows Experiential VR/AR Installations

• Sky News Upgrades 3D VR Studio with Ultimatte 12

• Streambox Streams 360 Video Live to YouTube

• Technicolor’s Pre-Production Studio Redefines Production, VFX and Post

• The Artery Welcomes Ronen Tanchum to Lead New VR/AR Division

• The Pulse Creates Long Form VR Sci-Fi Series, Now Streaming in 4K

• The Pulse Takes Drivers on a VR Experience with INFINITI QX50

• Unreal Engine 4.21 Supports Blackmagic DeckLink Cards and SDK

• UTS & Animal Logic Visualise Futures at UTS Animal Logic Academy

• Vicon Brings Shōgun 1.2 to GDC 2018 with a Virtual Escape Room

• ViSo Video Uses Ultimatte 12 for AR Productions inside Virtual Sets

• VR Gamers Tool Up at the Shell V-Power Virtual Pitstop

• VR Test Centres Open to Rock the World of Virtual Reality

• Weta Digital and 2n Design Dazzle PHAROS Festival with Interactive Graphics

• Z CAM and ASSIMILATE Develop an Integrated Set-to-Post VR Workflow

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