Zero Density appoints Ofir Benovici as new CEO. Joining from Avid, Ofir will oversee the company’s commercial and product strategy, operations and ongoing geographical expansion.
Quality Media Productions used Dejero EnGo mobile transmitters and WayPoint receivers to save time and costs on location with a lean, remote production model.
Lightstorm’s Geoff Burdick designed a Blackmagic workflow to support the massive pipeline developed the new ‘Avatar’ film, including a real-time QC system for making decisions on set.
AIE Film School in Canberra integrates Virtual Production systems into their filmmaking course and is now planning a new studio and volume running Brompton Tessera LED processing.
Kolrom’s diverse team uses Ultimatte 12 to host multicam virtual events and live streams from their green screen studios, performing high quality keying while keeping their prices steady.
Memnon and New Zealand’s archival agencies launched a major digital preservation project to protect over 400,000 culturally significant AV recordings from deterioration and obsolescence.
MTI’s Cortex v5.5 transcoding update includes MTai Frame Rate Conversion and MTai Super Resolution Uprez, applying AI processing to two common tasks for faster, accurate results.
A paper presented at SMPTE 2022 Summit showed dynamic AI-driven methods that automate HDR production and the SDR-HDR-SDR round-trip for identical distribution to all screens.
NorthPark Presbyterian Church uses ATEM SDI Extreme ISO’s Fairlight audio mixer for live sound in its unique sanctuary, as well as design a separate mix for streaming worldwide.
Riedel has acquired a proprietary radar-based Local Position Measurement system that accurately records player and asset positions from sports performance analysis expert Inmotio.
Arcturus’ new Blend tool turns volumetric video characters into practical elements for virtual backgrounds and branching game narratives; HoloSuite software adds dynamic lighting.
LED screen content producer 3500 Kelvin takes advantage of Brompton image processors and software to stage virtual multi-camera shoots and capture extreme low-light scenes in-camera.
Colour specialists can now introduce professional colour grading capabilities into their disguise virtual production workflow, to enhance efficiency in the filmmaking process.