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Post Production News

Anthony Raffaele filmlight1

Anthony Raffaele Brings Expert Colour to Technicolor PostWorks NY

Anthony Raffaele Brings Expert Colour to Technicolor PostWorks NY Anthony Raffaele began his career with Nice Shoes in 2001 and joined Deluxe in 2009. Now at Technicolor PostWorks NY, Anthony is a well-known colourist in New York City, recently working with…
July 26, 2016
Scratch 8 5a
Post Adriene Hurst

SCRATCH 8.5 Speeds Data Management, Adds HDR Support

SCRATCH 8.5 Speeds Data Management, Adds HDR Support ASSIMILATE SCRATCH 8.5 updates all of the SCRATCH real-time 2D/3D post-production tools for dailies, conform, colour grading, versioning, compositing and finishing. The changes also affect SCRATCH Play for…
July 11, 2016
Technicolorpost Maggie5
Post Adriene Hurst

Technicolor PostWorks Crafts Sound & Colour for ‘Maggie’s Plan’

DI colourist Alex Bickel and re-recording mixer Martin Czembor talk about working at Technicolor PostWorks New York on post for the new movie ‘Maggie’s Plan’.
July 05, 2016
FilmLight beau leon2
Post Adriene Hurst

Beau Leon Makes the Grade at Framestore LA with Baselight

Beau Leon Makes the Grade at Framestore LA with Baselight Beau Leon joined Framestore in October 2015 as lead colourist. His appointment marked the opening of the company’s LA colour studio, helping to establish Framestore’s west coast operation. He uses the…
May 18, 2016
Technicolor post river3
Post Adriene Hurst

Technicolor PostWorks Grades & Finishes Oscar-Winning Documentary

‘A Girl in the River: The Price of Forgiveness’ went through editorial conform, final colour grading and preparation for broadcast at Technicolor PostWorks New York.
April 12, 2016
Colorfront Transkoder 2016
Post Lucy Schneider News Editor

NexGuard & Colorfront Demo UHDTV/HDR Forensic Watermarking

NexGuard is joining Colorfront at NAB to develop a system protecting digital content creation materials, particularly 4K/UHDTV and HDR video, for digital cinema, broadcast, OTT and VOD.
April 11, 2016
Marquise mist tv
Post Adriene Hurst

Marquise MIST Streamlines Versioning & Mastering at NAB

Marquise updates the speed and functionality of the Timeline and Render modules in its mastering system MIST to support versioning, media management and deliverables.
April 03, 2016
Baselight 5 0 blfornuke shapes1
Post Adriene Hurst

Baselight 5.0 Adds Colour Control & Post Tools for Colourists

FilmLight’s Baselight 5.0 adopts a new, more natural approach to colour science, adds post and compositing tools, and simplifies deliverables processing for specific screens.
March 30, 2016
SGO PUMA Red Bull F1a
Post Adriene Hurst

Mistika to Demo New VR, HDR, UHD Tools, Runs with Bulls at F1

Focussing on VR in post at NAB, SGO shows its 3D tools, VR mode and VR device connections, new grading tools for HDR, keying functions and a flexible conform system in the Mistika.
March 30, 2016
WCPMedia screener1
Post Adriene Hurst

WCPMedia Brings Tiger Technology’s Smart Storage to the Cloud

WCPMedia Services is now using shared-storage software from Tiger Technology in its web-based media management and distribution platform WCPApp.
March 29, 2016
Marquise mist hdr rec2020
Post Adriene Hurst

Marquise Develops Colour Management for HDR Mastering

A Color Management system from Marquise Technologies for the MIST mastering system has been developed to support efficient, accurate processing of HDR and REC2020 deliverables.
March 23, 2016
Deluxe stefan sonnenfeld
Post Adriene Hurst

Deluxe Appoints Stefan Sonnenfeld Chief Creative Officer

DI colourist Stefan Sonnenfeld has been appointed Chief Creative Officer at Deluxe Entertainment Services Group.
March 15, 2016
Divergent Screen Shot
Post Editor

Pomfort Silverstack XT 5.1 Integrates with Divergent ScopeBox

Silverstack XT 5.1 now integrates with Divergent Media ScopeBox, extending filmmaking workflows with on screen versions of traditional video scopes without external hardware.

Codex Takes on Software & UX Innovator Philippe Panzini

Mar 11, 2016 798
Codex Panzini flame
Philippe Panzini is taking the role of vice president, User Experience for Codex. He was…

EFILM Dives into ‘Deadpool’ Colour Grade with Baselight

Mar 10, 2016 1731
Efilm baselight Deadpool1
Tim Stipan at EFILM created a cool, gritty look for ‘Deadpool’, ensuring continuity,…

SGO and AJA Join to Support High Performance Post Workflows

Mar 05, 2016 1561
SGO Mistika Elements Cpu1
SGO and AJA have formed a partnership making SGO's Mistika post system compatible with…

Pankaj Bajpai Colours Top TV Series on Baselight

Mar 03, 2016 1238
Colourist Pankaj Bajpai talks about his career and his work on a huge variety of TV…

Son of Saul Gets a Simply Complex Grade on Baselight

Feb 23, 2016 823
Devoted to film, director László Nemes worked with his DP, a colour timer and a digital…

BBC’s ‘War and Peace’ Delivers on Looks & Story with ARRI and Blackmagic

Feb 22, 2016 1575
The DP, colourist and director worked together from set to grade, using ARRI and…

Hocus Focus Makes Post Magic with SGO Mistika

Feb 16, 2016 1564
Hocus Focus in Oslo handles all post services, editing to VFX and grading to sound - on…

ContentAgent v3.5 Automates Avid & File Delivery Workflows

Feb 14, 2016 1242
ContentAgent v3.5, to be launched at BVE 2016, improves on its interoperability within…

Dolby Upgrades to Baselight X for Dolby Vision R&D

Feb 08, 2016 1378
Dolby purchased one of the first Baselight X systems, built with high- bandwidth internal…

Matthew Bristowe Becomes One Of Us

Feb 03, 2016 1629
One-of-us studio
One Of Us visual effects studio in London has announced that Matthew Bristowe has joined…

Arsenal FC Works with Aframe on Cloud Video-Based Workflows

Jan 14, 2016 475
Premier League Football Club Arsenal in London is using services from cloud-based video…

Bandito Brothers Collaborate Across Projects on Avid ISIS | 1000

Dec 31, 2015 452
Bandito Brothers studio in LA has purchased Avid’s new ISIS | 1000shared storage, scaled…