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Editing Dispatches

Sony bvm X300 hdr

Sony BVM-X300 4K OLED to Gain HDMI Input and HDR Functionality

Sony BVM-X300 4K OLED to Gain HDMI Input and HDR Functionality From October 2016, updated Version 2 firmware for the Sony BVM-X300 OLED master monitor will be available, extending its High Dynamic Range and 4K production applications, and its hardware…
July 12, 2016
Forscene loorrs le rd4 2982
Editing Adriene Hurst

Lucas Oil Stays on Track with Forscene for OTT Racing Content

Lucas Oil Stays on Track with Forscene for OTT Racing Content Sports broadcaster, Lucas Oil Racing TV, have started producing race highlights for direct distribution to their audiences around the world through their website and on platforms including Amazon…
June 12, 2016
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Editing Editor

Fusion 8.1 Update Adds Fusion Connect for Avid

A free update to Blackmagic Design Fusion 8.1 adds Fusion Connect for Avid and compatibility with the most recent Avid Artist DNxIO video interface.
June 01, 2016
Root6 prometheus history
Editing Adriene Hurst

ROOT6 ContentAgent Automates Avid Workflows at Prometheus

Prometheus Entertainment has deployed ContentAgent from ROOT6 to help manage and automate ingest and framerate conversion workflows within its Avid editorial operations.
May 17, 2016
Editing Lucy Schneider News Editor

Suitcase Fusion 7 Syncs Fonts in the Cloud, Supports After Effects

Suitcase Fusion 7 now stores font collections in a cloud-based repository that synchronizes fonts between two computers, and has a font plug-in for motion graphics projects in After Effects.
April 19, 2016
DaVinci Resolve 12 5 Deliver
Editing Adriene Hurst

DaVinci Resolve 12.5 Beta Launches with Editing, Colour & FX Updates

Blackmagic Design’s public beta for DaVinci Resolve 12.5 improves editing tools and timeline performance, colour functions including HDR support, and the new ResolveFX.
March 03, 2016
Divergent-SBInterface Envelopes Hi
Editing Lucy Schneider News Editor

Divergent EditReady On-Set Media Prep Integrates Full-Time Scopes

Divergent Media’s EditReady digital media prep, monitoring and delivery software for DITs and editors now integrates ScopeBox software, to help move footage from camera to editor.
February 29, 2016
Data-video-editor
Editing Adriene Hurst

Managing the Data Lifecycle in Dynamic Environments

As organizations generate and acquire huge amounts of data and assets that exist as digital files, learning how to manage those assets efficiently is key to discovering its value.
February 11, 2016
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Editing Adriene Hurst

PluralEyes 4.0 Adds Direct Premiere Pro Link to Shooter Suite 13.0

PluralEyes v4.0 audio/video syncing software for NLEs works directly inside Premiere Pro without leaving the editor, increases automation and integrates with Offload for on-set backups.
January 20, 2016
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Editing Administrator

Edit Studios Masters the Mistika for Award-Winning Looks

Edit Studios’ colourists in Tel Aviv completed the grade for ‘Baba Joon’, best film at the Israeli Academy Awards, on the facility’s Mistika and explain the image control the system affords.
January 15, 2016
Alan-Bell-Blackmagic-Fusion-HG2-6a
Editing Editor

Editor Alan Bell Cuts ‘The Hunger Games’ Final Chapter

Alan Bell, editor of ‘The Hunger Games: Mockingjay Part 2’, talks about his work on the movie, and about his distinctive approach to cutting films, blending the roles of editor and compositor.
January 14, 2016
LED-Demonstration-Alt-a 001a
Editing Editor

LED Immersion Brings Live-Action Environments On-Set

Two production companies in Chicago have developed a new technique using LED screens to project imagery on set to allow a camera crew to shoot several locations in a single day.
December 04, 2015
Soundfirm-resolve-TheDressmaker 0202a1
Editing Editor

Soundfirm Gets the Look for ‘The Dressmaker’

Colourist Trish Cahill and DI supervisor Jonathan Burton at Soundfirm explain the colour grade and online edit of ‘The Dressmaker’, handled entirely in-house on the DaVinci Resolve Studio.

Arab Telemedia Adopts FilmLight Colour Control Pipeline

Nov 29, 2015 1453
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Arab Telemedia installed systems and software integrating FilmLight FLIP, Daylight,…

FotoKem Takes on ‘Ash vs Evil Dead’ with DaVinci Resolve

Nov 23, 2015 1802
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Colourist Alastor Arnold at FotoKem led the grade and online edit of the pilot for new TV…

Animatrik Integrates LEI/Giant into Mocap & Previs Pipelines

Nov 11, 2015 468
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CTO Brett Ineson of performance capture specialists Animatrik talks about integrating the…

Boris FX BCC 10 for Avid Integrates mocha Tracking and 3D Titles

Nov 05, 2015 2142
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New Boris FX BCC 10 plug-ins integrate mocha tracking and masking, new 3D titling, and…

Lock&Load X Tackles Video Stabilization and Rolling Shutter

Nov 05, 2015 576
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Company director Ravian Budde works with developer Roger Bolton on the CoreMelt group of…

Editshare Lightworks Takes Centurion Editor into Battle

Nov 05, 2015 528
Editor Chris Gill interpreted the story for ‘Centurion’, director Neil Marshall’s latest…

Beast Editor Dean Gonzalez Cuts Green Day’s ‘Heart Like a Hand Grenade’

Nov 04, 2015 1805
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The new doco of the making of Green Day’s album ‘American Idiot’, released in October,…

Octopus 8 Newsroom Brings New Web and Social Connectivity

Aug 27, 2015 1660
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Octopus 8 is updated to change the way news teams connect with social media and online…

Dvein and Alagoas Show How the West Was Won

Aug 10, 2015 472
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Dvein production studio in Barcelona created original concepts and Dvein-GHOSTS 01aa…

Fifty Fifty’s FilmLight Workflows Finish Gary Lineker Doco for BBC

Jul 13, 2015 1614
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Fifty Fifty post house in London has set up a close, renderless integration between their…

Mistika Air Refines Broadcast Post Workflows

Jul 01, 2015 1362
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SMPTE SGO will demonstrate tools in the Mistika finishing system for grading, editing and…

TourGigs Produces AV and Archiving for Shaky Music Festivals with Blackmagic

Jun 19, 2015 1726
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TourGigs in Texas produced the stage video projections and recordings at Shaky Knees and…